Line 6 Spider Valve 212 Guitar Amp

Line 6 Spider Valve 212 Description

The Line 6 Spider Valve 212 fuses the versatility of amp and effects modeling with the performance and feel of a world-class tube amplifier. Combining award-winning Line 6 modeling technology with a genuine tube amplifier designed by legendary amp designer Reinhold Bogner, The Spider Valve 212 delivers unmatched performance, responsiveness and tonal flexibility on the stage and in the studio.

Just as Line 6 revolutionized the world of amps through its pioneering modeling technology, Spider Valve shatters the boundaries of tube amp performance by applying that same tonal range to Bogner's all-tube amp design, boutique component selection and stellar voicing.

Spider Valve delivers 12 channels of amp modeling - combined with several flavors of built-in modulation, delay and reverb – driven by an all tube, all Bogner amplification design boasting 6L6 power tubes, 12AX7 preamp tubes and premium Celestion Vintage 30 speakers.

Combining the performance, response and feel of a well crafted tube amp with the inspiring capabilities of amp and effect modeling - Spider Valve delivers the best of both worlds.

Line 6 Spider Valve 212 Features

• 40W Class AB tube amp through (2) 12AX7 preamp tubes and (2) 6L6 power tubes
• 2X12" configuration featuring Premium Celestion Vintage 30 speakers
• 12 dialed in amp models (channel voices) that deliver a complete tonal range from shimmering clean to insane grind.
• 7 Smart Control Effects including Tape Echo, Multi-Tap, Sweep Echo, Flanger/Chorus, Phaser, Tremolo and Reverb.
• 36 user programmable channels
• 200+ artist created presets covering the greatest guitar tones of all time
• POD 2.0 XLR direct out for studio direct tone.

The Spider Valve design combines 12AX7 preamp tubes with Line 6's signature modeling front-end, a marriage that allows each part of the sonic equation to deliver what it does best: creamy, cascading distortion and enriched harmonics from the tubes, and 12 of the world's finest amp models and seven stunning effects from the modeling front end. And, of course, perfectly matched 6L6 power tubes driving Celestion Vintage 30 speakers to deliver unprecedented sonic impact and spatial imaging.

With the simple front-end controls and display, programmable patches and presets are instantly within reach. Tweak your tone even further with the front panel Presence, Drive, Bass, Mid and Treble controls: this is a true-blue tube amp, and it acts like one, responding and delivering all the analog detail, performance and warmth of every amp model and effect.

Here's the Line 6 guide to your Spider Valve 212 tone palette.

Clean
Select this Amp Model and adjust the tone controls to get crisp clean tones, warm jazz timbres, and all the high-end shimmer you'll need with a generous amount of bottom end.

Glassy
Line 6 developed this Amp Model to emulate those classic late-'60s and early-'70s clean tones. It started off as an Amp Model based on* a 1973 Hiwatt Custom 100. We extended the tone control range and tightened up the low end.

Twang
This Amp Model draws on our analysis of mid-'60's Fender amps, including the blackface '65 Twin Reverb and blackface '64 Deluxe Reverb. We wanted an Amp Model that has that vintage glassy high-end tone with some extra snap and bite.

Twin Twang
This Amp Model is based on* a number of vintage tweed amps. We evaluated a '53 Fender tweed Deluxe Reverb, '58 Fender tweed Bassman and a '60 Gibson Explorer to create a swingin' Rockabilly tone.

Blues
Based on a mix of a '65 Marshall JTM-45, a '58 Fender Bassman, a '63 Fender Vibroverb and a Supro, this Amp Model slides between gritty, swamp-infected cleans to syrupy smooth, walloping drive tones.

Blues: Class A
This Amp Model is based on a fawn Vox AC-30 amplifier with an updated and expanded tone control circuit. We wanted to capture that early British pop rock tone made famous by the Beatles and the Stones.

Crunch
This sound was crafted during our studies of the '68 Marshall Plexi 50 Watt. This type of Marshall amp was used by a number of early metal bands. Crunch provides a wider range of tone control settings than the original Marshall amp had.

Crunch: On Fire
This Amp Model is based on* a 1968 Marshall Plexi 100 watt with a few added extras: the combination of a Variac and the jumped input channels creates that infamous brown sound.

Metal
This Amp Model is based on the Mesa/Boogie Dual Rectifier. Use this Amp Model to get a tight and punchy high-gain metal sound.

Metal: Spinal Puppet
This sound was created to be an aggressive high-gain Amp Model with a unique Mid control that will sweep though an entire spectrum of tone on one knob. The Mid knob for this Amp Model changes the character of the distortion. When set to minimum, the distortion exhibits Fuzz pedal characteristics. When the Mid is set to noon, it mimics the creamy modern high-gain amp tones. And when the Mid knob is turned up to max, it's very much reminiscent of that Class A sound.

Insane
This model is our "dialed in for shredding" version based on the Mesa/Boogie Dual Rectifier red channel. It combines the intensity and impact of Metal Amber, but delivers more midrange and teeth for that bone-crushing, brain piercing insane grind.

Insane: Eighties Solo
Our goal with Insane was to provide you with as much input gain distortion as possible short of complete meltdown. You get an obscene helping of distortion, while still retaining tonal definition and character.

FX
From the DL4 stompbox to the Echo Farm plug-in, Line 6 effects have achieved cult status in top studios and stage rigs of discerning guitarists. With Spider Valve, Line 6 delivers a palette of top grade integrated effects - easily accessed and tweaked from the front panel using the SmartControl FX knobs.

Modulation
A choice of phaser, chorus or tremolo lets you tweak your tone from rich luscious modulations to dramatic orbital gyrations.

Delay
From the swirling feedback of the sweep echo to the organic decay of the tape echo, Spider Valve delays provide an unmatched level of dimension and depth.

Reverb
The Spider Valve effects arsenal is complete with a dedicated reverb control – allowing you to dial in anything from subtle ambiences to cavernous spaces.

Spider Valve 212 Inputs & Outputs

FBV Pedal - Plug in one of our optional Line 6 FBV foot controllers for channel switching, tap tempo, effects on/off control, wah/volume pedals, access to 32 more channel memories, and tuner capabilities.

Balanced Direct Out – Provides dedicated POD - quality tone output for studio-direct recording.

Preamp Out - This is a pre-tube amp output than can be used for all sorts of things. For one, you can drive a second amp from the Spider Valve modeling pre, or you can use it as an "effects send" to feed outboard effects. You can then use the Power Amp In as a "series effects return".

Power Amp In – This is a direct connection to the all-tube power amp, including the 12AX7 preamp tubes, matched 6L6 power amp tubes, Master, and Presence controls. Perfect for pairing your Bogner designed all tube power amp section with a front end modeler such as the POD xt Live.

Speaker Outputs

112 and 212 Combos

• Output A is for an 8 ohm speaker load and will let you hook up (1) 8 ohm speaker/cab
• Output B is for a 4 ohm speaker load. You can either hook up (1) 4 ohm speaker/cab or (2) 8 ohm speakers/cabs